After a good helping of happy barn dancing, Bilbo decides it is time to bequeath everything he owns to Frodo – including the ring.Īfter some years of relative peace, Frodo learns of the ring’s dark horrors and sets off on a journey to destroy it once and for all. The show begins in the theatre’s delightful outside gardens, where we are greeted by hobbits who are ready to celebrate the 111th birthday of Bilbo Baggins (an endearing John O’Mahony). No surprise, then, that it doesn’t entirely work.īut despite the illogical premise, this new production directed by the Watermill’s artistic director, Paul Hart, manages to crackle with innovation. This mixed with its approach to combat - to discourage it at every turn in favor of stealth and trap laying - combined to lock you into a style of play that feels appropriate for the sort of creature who lives in the shadows of bigger, scarier things and lives to tell the tale.Whether or not you’re a Lord of the Rings fanatic, surely part of the genius of Tolkien’s world is its enormity? Shaun McKenna and Matthew Warchus’s 2006 musical adaptation attempts the absurd task of compressing the 1,100-page fantasy epic down into a comparatively minuscule three hours. It was a little jarring at first to see him move so video game-ly, considering my impression of the character established from the books and movies, but after a while his almost supernatural scampering feels right. He’s quite the climber, with the platforming feeling largely like the Uncharted variety of ledge grabbing, vine scaling, and acrobatic swing jumping. A good Sméagol would have nervously waited, but as a shifty little Gollum I attempted to escape. He walks back to his post and gives you strict orders to stand still and wait for a gong. In one chapter, you’re escorted into a spooky keep somewhere in Mordor by an imposing orc. This expresses itself in interesting ways while you explore the world too. Sometimes the obsessive self interest of Gollum will keep him out of chains. This isn’t a standard morality system as you’ve seen in games like Mass Effect, as not every choice Sméagol makes will keep him out of trouble.
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